ERIC GILL’S CALLIGRAPHY, AS SHOWN IN THIS GREETING TO HIS SON, ANTHONY. LETTERFORM ARCHIVE, SAN FRANCISCO
1928 INK DRAWINGS FOR GILL SANS TITLING CAPS, THE FIRST STYLE OF WHAT WOULD BECOME A LARGE FAMILY OF TYPEFACES
GILL’S NOTES ON A 1937 PROOF FOR GILL SANS MEDIUM CONDENSED, WITH SKETCHES DETAILING HIS PREFERRED SHAPES FOR CERTAIN CHARACTERS
1937 DRAWINGS FOR GILL SANS BOLD EXTRA CONDENSED SHOW HOW FREELY GILL ADAPTED THE FORMS OF SANS LETTERS AS THE FAMILY GREW
MONOTYPE NEWSLETTER NO. 5 (1932) FEATURED MORE OF THE RAPIDLY EXPANDING GILL SANS FAMILY ALONGSIDE MORE ESTABLISHED MONOTYPE FACES
DIFFERENT VERSIONS OF GILL SANS SHADOW NO. 3 WERE TESTED BEFORE ITS RELEASE IN 1932
THE WIDESPREAD POPULARITY OF GILL SANS INSPIRED MANY PLAYFUL DISPLAY STYLES, SHOWN HERE WITH GILL’S NOTES AND ALTERATIONS
GILL’S REVISED DRAWINGS FROM OCTOBER 1932 SHOW THE GILL KAYO DESIGN THAT WAS FINALLY PRODUCED
COPPER PATTERN PLATES FOR JOANNA, CREATED AS AN INTERMEDIATE STEP BETWEEN THE 10-INCH PRODUCTION DRAWINGS AND TYPE CAST AT THE FINAL SIZE
BY 1967, THE MONOTYPE NEWSLETTER WAS FEATURING VERSIONS OF GILL SANS THAT HAD BEEN ADAPTED FOR PHOTOTYPESETTING